also refers to her as a child. He then gives her extra money to spend on presents, and he asks her what she would like as a Christmas gift. As the curtain opens to the first act, we are introduced to Nora as an "extravagant little person a "sweet little spendthrift giving the audience the impression that she will be yet another undeveloped female character as seen in previous traditional tragedies. The family seems to be, as Aristotle might have had it, at the height of happinessfrom which they will tumble downhill. Linde began talking, and Nora starts to reminisce about the time when she and Torvald had first. Nora enters with parcels, leaving a porter at the door with a Christmas tree, which she tells a maid to hide so that her children will not see. Torvald controls the stage on which Nora is an actor who generally believes that this pretend-world is the real one. Vref1 titleA Doll's House Analysis of Nora m dateNovember 2013 accessdate locationNottingham, UK Reference Copied to Clipboard. Aristotle also states that 'the tragic hero is someone people can relate to'. Noras secret, which might come out before its time, puts an ominous cloud over the dolls house.
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"A Doll's House Analysis of Nora." All Answers Ltd. Throughout the play, Nora takes on many different roles, making her character difficult to 'compartmentalise but as a critic says, 'the greatest dramatic characters have the freedom of incongruity'. She asks for money. Ibsens views on these entrenched values is what lead to the A Dolls House becoming so controversial as the main overarching theme of A Dolls House is the fight for independence in an otherwise patriarchal society. In just this one short line, one can already see his domineering and conservative traits. Poetics, is where he discusses the aspects of one's character which qualify one to be a tragic hero, ideas which have been accepted and expanded for several centuries, and often used as a 'mould' for tragic heroes. She is his little lark and squirrel and, later, his songbird. Having dispatched Krogstad, Torvald returns to the living room. Since Torvald refused to borrow money, Nora borrowed it secretly, pretending it had come from her father. Nora is confused and explains that she has no influence on such matters.
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