probably crazy woman. See them at preface of master thesis night too, with the engine puffing and lights in all the windows? Are exclusively described on the basis of their physical aspect and their actions:?Her skeleton was small and spare; perhaps that was why what would have been plumpness in other was obesity in her. He liked men, and it was known that he liked younger me in the Elks? Any person in the town would tell the story from his own experiences with Emily and his own attitudes toward her. The narrator has more information about Miss Emily, her father and the town that the main character would ever reveal to the reader. S in that room. In other words, Miss Emily should be courteous and kind to Homer, but she should not become sexually active with him. For this reason, the second point of view, given in the first version, ruins the poetics of the story and creates a confusion of narrative voices. By gaining access into Miss Emily and Tobe? He echoes the words, thoughts and suspicions of an entire small-town community, and he seems to be fully acquainted with its ways. Then we said,?She will persuade him yet?, because Homer himself had remarked?
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Power than he should. When she had first begun to be seen with Homer Barron, we had said,?She will marry him? For example, when Miss Emily requests poison from the druggist, she does so with the same aristocratic haughtiness with which she earlier vanquished the aldermen. With great pride, the narrator asserts that Miss Emily "carried her head high enough even when we believed that she was fallen." Unlike the town, the narrator is proud to recognize the dignity with which she faces adversity. Emily's story is told after her death; therefore, an outside perspective was necessary. Also, the narrator almost perversely delights in the fact that, at age 30, Miss Emily is still single: "We were not pleased exactly, but vindicated." After Miss Emily's father's death, the narrator's ambiguous feelings are evident: "At last we could pity Miss Emily." The townspeople. Faulkner's narrator tells the story in a disjointed way, not in chronological order. Behind the jalousies as they passed on Sunday afternoon in the glittering buggy, Miss Emily with her head high and Homer Barron with his head cocked and a cigar in his teeth, reins and whip in a yellow glove? Sometimes unabashedly and sometimes grudgingly, the narrator admires her ability to use her aristocratic bearing in order to vanquish the members of the city council or to buy poison. It is not only irrelevant and superfluous that Tobe, for instance, has always wanted to go to Chicago, but it also destroys their uniqueness and credibility as characters.
Point of view a rose for emily essay